Inherited china almost never comes with paperwork. Our AI reads the backstamp on the underside, names the maker, and works from the border, the shape and the decoration to suggest a pattern and a period, so you can find replacements or decide what to do with a set.
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China is identified from the bottom up. The backstamp names the maker and frequently the pattern, and the form of the mark itself dates the piece, because factories redesigned their marks every few decades. Where the mark is worn or missing, the border treatment, the rim shape and the decoration method carry the identification instead.
Below are the makers and styles that turn up most often in inherited sets. Photograph the backstamp first, filling the frame.

A quick reference to the ones people ask about most. Not sure which you have? Snap a photo above and let the AI name it.
Royal Albert, Royal Doulton, Wedgwood, Aynsley, Paragon. Thin, translucent, usually floral, and by far the most common inherited china in the English speaking world.
Noritake and others. Often marked Nippon before 1921 and Made in Japan after, which is a genuinely useful dating shortcut.
Willow pattern, Blue Italian, Flow Blue. Transfer printed in cobalt, made in enormous quantities from the 1800s onward, and still very collectable.
Hard-paste porcelain from Limoges, frequently white with gold and hand-painted decoration. Many different factories used the Limoges name.
Rosenthal, Hutschenreuther, Bavaria marks. Well made and often elaborately gilded, with marks that changed clearly over the twentieth century.
Lenox, Homer Laughlin, Fiesta. Generally more casual, often earthenware rather than bone china, and collected more for colour than for pattern.

You cannot sell, insure or complete a set you cannot name. Most inherited china is worth modest money, but the exceptions matter, and the difference between a common post-war pattern and an early hand-painted one is entirely in the mark and the decoration. Naming the pattern is also the only way to find replacement pieces, since replacement dealers index everything by pattern name.
The mark on the underside carries the maker, often the pattern name or number, and frequently a symbol that dates the piece to a period.
Bone china is thin, warm white and lets light through when held up. Porcelain is white and dense. Earthenware is thicker, opaque and heavier.
Gold banding, scalloped rims, embossed edges and border patterns are often more diagnostic of a pattern than the central motif.
Transfer printed, hand painted over glaze, or decal applied. Visible brushwork and slight variation between pieces indicate hand painting and more value.
Marks reading simply England, or Made in England, or bearing Bone China, each belong to different date ranges and narrow the era quickly.
Hold a plate up to a bright window with your hand behind it. Bone china is thin enough that you will see the shadow of your fingers through it, and it rings clearly when tapped. Porcelain is dense and white, mostly opaque, and also rings. Earthenware is thick, completely opaque, noticeably heavier, and makes a dull thud rather than a ring. Bone china and porcelain generally carry more value, and the difference is obvious once you have held both.
Photograph the backstamp on the underside and the full face of a plate. The mark gives the maker and often the pattern name or number, and the border and decoration do the rest. The AI names the maker, suggests the pattern, and gives a likely period.
Usually the maker, sometimes the pattern name, sometimes a number, and often a date clue. Makers changed their marks over the years, so the specific form of the mark, the wording and the symbols, can narrow a piece to a decade or two.
Most mid-century dinner services sell for modest amounts because so many were made and few people want formal china now. Value concentrates in early hand-painted pieces, rare patterns, complete large services, and a handful of names collectors chase. Identifying the maker and pattern is the first step to knowing which you have.
Yes, and it is usually straightforward once you have a name. Replacement dealers hold enormous inventories indexed by maker and pattern, so the pattern name is the only thing standing between you and a matching cup.